BrightEye Mac



BrightEye Mac/PC software is included with each unit at no charge. Use BrightEye Mac/PC software to monitor and control a single BrightEye unit or any number of units connected to a USB hub. BrightEye Mac/PC software is not required as the BrightEye 83 and 83-F front panel controls are intuitive and provide signal monitoring. The signal is time base corrected and frame synchronized to the reference input and converted back to analog for output. BrightEye 5 auto detects the video standard of the input (PAL or NTSC). Basic controls are provided on the front panel. With BrightEye Mac or PC software, you can control video proc functions; Gain, Chroma, Pedestal, and Hue.


The BrightEye™ line of compact converters from Ensemble Designs is a complete conversion solution for desktop, mobile, worship and broadcast. With over 50 different BrightEye units to choose from, you’ll find the right unit for your video processing needs. These self-contained converters interface to a full range of video formats: high definition and standard definition SDI, 3 Gb/s, analog component, analog composite, and Y/C (S-Video). Analog audio and AES digital audio converters and embedders round out the BrightEye family. Additionally, with fiber optic I/O choices, BrightEye can take you farther than any ordinary converter.
Whether you’re upconverting analog video to HD for a projection system, converting a camera feed to fiber in an arena, or feeding HD Tri-Level Sync to a non-linear editor, BrightEye is there to help. With their multi-format inputs and outputs, BrightEye converters are the flexible and cost-effective answer to any conversion requirement. BrightEye’s easy configuration interface and signal status indicators make it simple to install and troubleshoot a system. Their compact size lets you put conversion right where it’s needed: at a camera, non-linear editor, or projector.
Up to six BrightEyes fit in 1RU
with the optional rack kit.
Analog, SD, HD, 3G and Optical choices.
5-year warranty
Easy Transition to Digital
Going HD is simple with BrightEye up and downconverters. And feeding HD Tri-Level Sync to a non-linear editor is easy with one of the BrightEye master sync pulse generators and test signal generators. Reliable and easy to install, these units make your transition to HD simple. And they’re affordable too!
A Complete 3G Signal Chain
For facilities and manufacturers using 3 Gb/s video, BrightEye units can be combined to form a complete 3G signal chain. The BrightEye 57 test signal generator’s 3G output can be distributed through the BrightEye 43 3G distribution amplifier or the BrightEye 46 and BrightEye 48 E/O 3G fiber optical transmitter/receiver set. For facilities using 3G the issue of monitoring the signal becomes a challenge. The BrightEye 72 is an HD/SD/3G digital to analog video converter with an HDMI confidence monitor out that provides a convenient way to monitor any type of digital video signal. A 3G video signal can be easily viewed via the HDMI output.
Powerful and Palm-sized
BrightEye may offer the world’s smallest Time Base Corrector/Frame Synchronizer, but the features, specifications, and performance are far from tiny. All analog I/O is performed at 12 bits of resolution. Composite decoding incorporates sophisticated comb filters, and all internal processing meets or exceeds SMPTE television broadcast specifications. BrightEye converters provide superb video quality where fine detail and subtle shading are faithfully reproduced.
You can install 3 to 6 BrightEye converters with the optional rack mount kit. 6 single high units or 3 double high units (BrightEye 90 family) fit in just 1RU. A power supply needs to be ordered for each unit.
Fiber Optic Interfaces
When distances take you beyond the reach of ordinary copper cable, look to BrightEye’s fiber optic interfaces. With both laser diode fiber drivers and photo diode receivers, BrightEye can handle both ends of a fiber optic link. Fully compliant with SMPTE 274M, 296M and 297M, BrightEye’s optical interfaces operate at a wavelength of 1310 nm. Integral SC type connectors make it easy to connect into fiber infrastructure. BrightEye has been designed without internal fiber pigtails, so all optical converters support both multi and single mode fiber. BrightEye’s fiber interconnect carries the same digital bitstream that makes up the electrical SDI interface. Data is carried by pulses of light rather than pulses of electricity. This rugged transmission system can carry serial digital signals with no loss or degradation for twenty kilometers or more on single mode fiber. With the use of a launch attenuator, multimode fiber is supported.

BrightEye makes it easy to take advantage of fiber optic technology. Choose from converters that include analog video I/O or units that interface directly to HD or SD SDI signals. Fiber interfaces are ideal for outdoor events and remote broadcasts. Fiber is not only a great solution for long distances, but since it is electrically non-conductive it also provides complete electrical isolation between the two connection points. Fiber connectivity completely eliminates concern for AC ground loops and hum. Optical transmission over fiber is also immune to radio frequency interference (RFI) and electromagnetic interference. Even nearby lightning strikes will not compromise the signal.
Control That’s Easy-to-use
Front Panel Convenience

BrightEye devices have clearly labeled front panel controls, which allow you to choose output formats and other settings, quickly and easily without futzing with DIP switches.

BrightEye Mac and PC Software

BrightEye

For more advanced controls, you can use the included BrightEye Mac or PC software. Adjust video levels, output timing and mix audio channels are easy with the BrightEye control software. BrightEye Mac or PC connect using USB, and can control multiple BrightEye units with one computer. Additionally, you can use it to upgrade BrightEye units as new software versions become available. BrightEye Mac and PC software are included with each unit at no charge.

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MacBrighteye BrisonEclectic Prog

Brighteye Computer

Bright eye makeup

Review by alainPP

BRIGHTEYE BRISON is a Swedish group that was high on PROG foundations origins as GENESIS, ELP, YES, GENTLE GIANT (which I always read as much harm to their base despite his musical energy) and later Magellan or THE FLOWER KINGS. He also took more northern groups as influences ANEKDOTEN, Landberk and was able to introduce himself themes for WOBBLER more recently. In his titles often drawers, one can if one tends a little ears hear reminiscences of TOTO, ALAN PARSONS PROJECT, YOSO and even some basic agreements in the eternal touches everything JOE JACKSON. Do not forget that one of the musicians worked in ANGLAGARD too. Suffice to say that hand on complex sounds of epic symphonic structures with wagons, musical jolts, vocal harmonies and stellar arrangements, while keeping a cool frame by his willing breaks returns. In short, Brighteye BRISON released his 5th album entitled 'V'; it is with 'stories' in 2006 that I became acquainted with their music being inveterate fan of GENESIS, but that we do not care, let's get to what this latest installment in the belly and do not tell 'it is my understanding it is a revival of GENESIS YES, it's good I see where it will take me if I listen to' listen, not read! (Please !!!) let's get to what this latest installment in the belly and do not say 'that's it I realized it is a revival of GENESIS YES, it's good I see where it will take me if I' listening, 'listen, not read! (Please !!!) let's get to what this latest installment in the belly and do not say 'that's it I realized it is a revival of GENESIS YES, it's good I see where it will take me if I' listening, 'listen, not read! (Please !!!)

3 titles, 3 titles for more than 66 minutes of music, then you install: 3, 2, 1: 'The Crest of Quarrel 'starts thus with the shortest title, the one with the newest sound in my opinion; Here the sounds remind me MAGELLAN and last time of the great GENESIS with the tunes of 'Duke' for example YES and often maligned, one after 76, shorter but more technical in my opinion. Otherwise, we are dealing with an anthology of notes taking to a prog universe by combining convolutions times phrasing, musical then both at the same time; it's beautiful, intense, almost epic and the end of melody 11'35 ' will remind you a little dinosaur which bit them in their cradles! 'V' and 17 minutes Air intro flirts on the YES time 'Owner of a Lonely Heart' and then start up to 1'35 ' makes you surrender; sound mix, it's even a riff hard limit, but very quickly to 4 a break with synth organ and accordion support from a guitar arpeggio attracts the ear; it put the voice to melt the most recalcitrant to guitar solo enjoyable, the organ always in the background putting pressure on the memories; then a return with this bass to the 'Steppin 'Out' JOE JACKSON even CHRIS SQUIRE done from that title to the austere territories prone to daydreaming. Back with part phrased almost too conventional and a tour guitar then climb to synth-piano solos. A little further, it is to the organ T. BANKS one is brought with digressions almost jazzy at times, to bring even further in the time of proto-prog? Personally, it reminds me the rhythm breaks on '90125' thereby avoiding long trademark titles ... YES !! Yessien

Brighteye Mes

'The Magician II Chronicles share' or following the penultimate album for just 36 minutes musical maze, for the most gross way, the most archaic, the most violent too; to digress notes bringing the neophyte to fall naked before so much innovation, for one who follows and knows just a wonder to see the dial and associate sounds with melody tunes of large groups mentioned above! ... at 3'15 ' I thought they were going to sing 'yes' as on one of the albums of their master out. Well, what if it is that this title is as a letter in the mail with a succession of rhythms, tunes quite different from each other and a voice repeating the common thread to avoid too disperse. There are plenty of sounds more or less heard by my ear which adds nicely to being seduced and conquered. Note also that snub to 9'30 ' to YES symphonic and air 12 'necessarily somewhat reminiscent of 'The Gates of Delirium' Roine STOLT even at that time, so reprocessed BRIGHEYE BRISON and break dreamlike; there is even the 'Supper's Ready' a little further is that the ears are for their anvils and hammers other! There is also bombastic tunes, festive, a little medieval who would go so well for Soundtrack Film! Around 25 minutes another tense at the organ that melts again, once we remained unmoved. And to drive the point (and not the anvil if you have followed) a little further I will let you wait for the piano 24'50 ' which leads you to the referral of the organ of 25'10 'for a moment ambience Cathedral spleen. The voice again and again a little gypsy tunes and good jazz guitars association from shoving the place given to the organ. Hop! And about 32 minutes still air 'Steppin 'Out' (yes I fell in small and yes I like it !!) to recalibrate the title and starting toward a final rock with his guitar before and powerful choruses. That's it, it's over! yet the tune of 'Steppin 'Out' (yes I fell in small and yes I like it !!) to recalibrate the title and starting toward a final rock with his guitar in front and powerful choruses. That's it, it's over! yet the tune of 'Steppin 'Out' (yes I fell in small and yes I like it !!) to recalibrate the title and starting toward a final rock with his guitar in front and powerful choruses. That's it, it's over!

Well, what about that huge CD? Oh, great for descaling pregnant; to make a small regression too long on the 70s version of Hammond organ, spleen, joyful sadness, go an oxymoron by one !! For the rest, focus, sound there is very good but I'm missing a little more personal to bring this group at the highest level. In fact I find this very good album, incorporating the best original groups without repetition either, but I lack a bit of pure creation.





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